Confused? If you're concerned that an exclusive library will own the publishing of your music forever, simply pay attention to the contract. They do not accept any music on a non-exclusive basis. Press question mark to learn the rest of the keyboard shortcuts. This allows you to retain the full rights to your originally titled song. Good points: Once you’ve set up your tracks in music libraries (under non-exclusive deals, you can upload your catalogue in multiple libraries), the income you get from these platforms is passive. Can be libraries without royalties. Non-Exclusive: Alright, the big benefit of being non-exclusive is that you can literally get your music out there, to anyone. Today, as a rule, it’s a very different story. Tunefruit: A fun, fresh music marketplace for online video with convenient searching by popular genres and tags. My understanding is that exclusive libraries act more like supervisors and will have better luck (although less frequent) at getting your stuff placed in TV and film. New comments cannot be posted and votes cannot be cast, More posts from the WeAreTheMusicMakers community, Continue browsing in r/WeAreTheMusicMakers, Press J to jump to the feed. What might be the best libraries to submit to? You will also need a lot of material. The real truth is that this is a long game business that requires patience and persistence. Best non-exclusive stock music libraries (for the composer)? should you sign with a non-exclusive retitled library? Thank you. Absolutely. Share with us in the COMMENTS SECTION BELOW: The Perfect Marriage of Musicianship and Entrepreneurship. On top of this, again generally speaking, If you're concerned that an exclusive library will own the publishing of your music forever, simply. When you run a search by using our HyperSearch, Instant Search, or by Mood or Style, once the tracks come up, you can sort by “Exclusive First” to see over 115,000 Exclusive tracks available only on our site. Want to Learn How to Successfully License Your Music to TV and FILM? Let’s say Company B secures a placement (Sunny Skies), however, for some reason the audio recognition software recognizes it as the version administered by Company A (Blue Skies). Our deal is non-exclusive, and we encourage musicians to take advantage of as many chances to pay off that Gretsch you still have 198 payments left on. In this video I talk about my thoughts on Non-Exclusivity in music libraries. Learn about the pros and cons of exclusive and non-exclusive music licensing deals. Non-exclusive production music libraries enable a composer to sign a non-exclusive agreement allowing the artist to license the same piece to other libraries and clients with the same non-exclusive agreement. I greatly appreciate your help. Non-exclusive means that you can pitch the same tracks that you have with us to other companies, while exclusive means that those tracks would be exclusive to Directional Music. Get the facts before you decide. BUT I want to focus my attention on getting you to actually start DOING something! Selected music will be available on MediaMusicNow (and any other sites we own and sell licenses from). This is definitely a great thing. Licensing music for use in television, movies, ads, radio, video games, digital apps, websites, ect, gives you that much needed income so you can continue to finance your additional music goals. If you work with just one non-exclusive company to administer your music, then you probably won’t run into any issues, but here’s the problem… most people won’t. I think most of them have pretty specific styles. Research Music Libraries. If you are serious about creating a long-term income, and long-term career through licensing, it's been my experience that you really have to go the exclusive route. We believe in the significant benefits for our clients provided by exclusivity in licensed music. You don’t get a meeting. Unlike some other libraries, we do not require you to sign over the copyright and master to your songs in order to become exclusive. Soundware news. “Non-exclusive” deals allow you the freedom to work with whomever you want, but companies offering these deals are typically larger than an exclusive library and your content may have a harder time finding the spotlight. And you certainly don’t get invited for a drink in the pub afterwards if the meeting went well!What you do get to do, is to send an email. But the main idea with the non-exclusive ones would basically be... well, you go to some of them and listen to some of the tracks and some of them don't sound very good. Let them deal with it.” But ultimately Company A is getting paid for something they didn’t do, while Company B is going to be looking for the money that they’re owed… Guess who will find themselves in the middle of this conundrum? To be clear, they are administering the EXACT SAME RECORDING, just under a different title. This is totally understandable. For many of us, our songs are our babies, and we don't want to just. It's easy to submit on line with them but you do have to wait awhile for accept/reject notice. Many non-exclusive companies have websites that allow just about anyone to ‘sign up’ for an account and upload their music for inclusion in the catalog. June 24, 2012. Non-exclusive libraries are facing rising technical problems caused by the growth of automatic tune-recognition software which scans broadcasts and Internet videos and creates clashes between rival claims over the same music. If you know any library to stay away, please tell me. In time you will build up a catalog that should generate a nice income stream. Libraries often promote exclusive music over non-exclusive music. In the rest of this post, I will explain the essentials (exclusive versus non-exclusive deals, synch fees versus performance royalties, the role of music libraries, etc.) There is some basic understanding of publishing and contracts that's required, but this is, after all, your business and career. Any recommendations? Well, I suppose I wouldn't mind an exclusive library at some point, either. For many of us, our songs are our babies, and we don't want to just give them away. No. If we can use your music it will be available on MediaMusicNow (or any other sites we own and sell licenses from). — Just think of us as another arrow in your quiver. This is a very quick and easy way to upset the companies repping your music, and destroy their desire to continue working with you. I'm thinking minimum hassle, no jumping through hoops except for creating quality tracks for it, and not royalty free (definitely want those PRO royalties eventually). What production music libraries work best for your style of music? They’re looking for authentic recordings in All Tempos that might fit well on a playlist with the following references: They’ll often start working with a second non-exclusive library, who will take the exact same song and re-title it Sunny Skies. If my music becomes available through Bedtracks, can I submit music to other music licensing companies? Original, vintage Country songs with male or female vocals that were recorded between 1940 and 1979 are needed by a Non-Exclusive Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials. Good point! No problem. I would try both. Do you have a fear of giving up the rights to your music? What type of music do you do? Hi, I've thought of creating some library music for TV etc to hopefully get some extra income and eventually a trickle of PRO royalties going on. Non-exclusives, while perhaps more consistent, might place in much lower-budget and smaller projects. What's the best music library to get started? You can also sell your music elsewhere non-exclusively. If you work with just one non-exclusive company to administer your music, then you probably won’t run into any issues, but here’s the problem… most people won’t. We maintain a list of friendly and helpful re-title non-exclusive libraries to whom we refer new customers who may be better suited by the non-exclusive business model, just send us an email. Many composers and songwriters are lately being offered what seems like a deal too good to pass up: get film/TV placements of their music and a share of sync fees from non-exclusive distributors while retaining 100% of their copyrights. You now have two different companies, as well as yourself, pitching the same exact recording, but under three different titles: These days we have audio recognition technology that can listen to a song and determine what, and whose, it is. Generally speaking, a non-exclusive library will take your song, re-title it, and administer the rights to the re-titled version of your song. You!! Now, as the songwriter, you’re still going to get paid your portion for the songwriting, so you may think, "Who cares? How to Submit Music to Music Libraries: A List of Music Submission Pages One of the best revenue streams I've found for music comes from licensing. Semi-exclusive . On top of this, again generally speaking, non-exclusive licenses don’t generate the higher dollar placements that exclusives do. Why? September 30, 2020. by Music Connection. Non-Exclusive. The best place for when you want music for audio and audio-visual productions. You can register with as many non-exclusive entities that you like, you can get 3rd party PR representation, and you can shop your music to agency producers and TV/Film supervisors yourself. Premium Beat, a division of Shutterstock, offers a nicely curated library of music. Let’s say I have a song called Sunny Day. How do you stand out from the crowd? What have your experiences been with exclusive and/or non-exclusive libraries? 5. CD Baby offers music licensing services, but on very different (more artist-friendly) terms than what is discussed below. Whereas other libraries claim to be royalty free then require you to report usage and pay performance royalties, Epidemic Sound includes everything; packaging all the legal rights you could need into one simple license. Come On Down! List of high end music libraries. Generally speaking, a non-exclusive library will take your song, re-title it, and administer the rights to the re-titled version of your song. Remember, same exact recording, just different titles…. The benchmark for libraries that I use is Crucial Music. Option 2: Placing your catalogue in music libraries . Vintage Country Songs Needed by a Non-Exclusive Music Library. Some libraries say you can submit music to them non-exclusively. This can make high-end clients reluctant to use non-exclusive music. Blimey, what a change!But the fundam… This is why many musicians initially decide to work with a non-exclusive music library instead of an exclusive one. All their royalty-free tracks are handpicked by music industry experts. I've thought of creating some library music for TV etc to hopefully get some extra income and eventually a trickle of PRO royalties going on. What’s going to happen is Company A will receive a royalty for the publishing on a placement they never secured, while Company B will be chasing after a royalty they should have received, but didn’t. TRANSFORM from STARVING ARTIST to SUCCESSFUL MUSICIAN! That’s it. Want Your Songs to be Heard by Millions AND Generate a Consistent Income? I'm curious why non-exclusive? Want to keep your music placement options open? This is totally understandable. What might be the best libraries to submit to? Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Original, vintage Country songs with male or female vocals that were recorded between 1940 and 1979 are needed by a Non-Exclusive Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials. Let’s say Company B secures a placement (Sunny Skies), however, for some reason the audio recognition software recognizes it as the version administered by Company A (Blue Skies). Hands-off. You may find that you don't want to associate your music with the quality of those catalogs. Make sure there is a term-limit (3 years is fair), and be clear on the reversion clause. It's easier to focus marketing and promotional efforts to one source. Exclusive Contracts vs. Non-Exclusive Contracts with Music Libraries Posted by mazz on Wednesday, April 14th 2010 This topic has been coming up a lot lately and also I had the opportunity to hear about this from some of the bigger libraries recently and thought I’d weigh in on it. should you sign with a non-exclusive library? Am currently on a few very specific exclusive libraries. What’s going to happen is Company A will receive a royalty for the publishing on a placement they never secured, while Company B will be chasing after a royalty, Now, as the songwriter, you’re still going to get paid your portion for the songwriting, so you may think, "Who cares? You don't have to worry about a conflict with backend royalties and publishers fighting over the publishers share. Let them deal with it.” But ultimately Company A is getting paid for something they didn’t do, while Company B is going to be looking for the money that they’re owed…. The number that gets bandied around a lot is 1500 tracks spread out over a number of different libraries both exclusive and non-exclusive. It is also important that they do not generate any type of Content ID (fingerprint or trace music). You may submit tracks that have already been placed elsewhere as examples, but they require exclusivity on all tracks added to their library. I look for non-exclusive libraries, in which I can remove songs if necessary. Please only submit music tracks that: Have not been placed in any media productions before, AND; Have never been re-titled or placed in a non-exclusive library; If your music fits this description, we are happy to take a … Do you have a fear of giving up the rights to your music? Find out what's the best option for your music career. I have a few trailer placements from different styles, so hybrid orchestral, electronic, synth, industrial etc... but for this library/libraries I'm looking for I was thinking of making most likely some ambient/suspense/"general TV" tracks for starters. You don’t get fifteen minutes. 7. Let me give you an example: HOW NON-EXCLUSIVES WORK… Let’s say I have a song called Sunny Day. Composers and songwriters who want to submit music should follow the following guidelines. Often there is no quality control regarding what gets added to those catalogs, and I’d encourage you, if you’re interested in working with some non-exclusives, before you sign up, take some time and listen to the music they represent. With non-exclusive music libraries a composer gives the same piece of music to numerous music libraries, in effect "spreading their bet". This is where working with multiple non-exclusives can turn into a big mess…. This allows you to retain the full rights to your originally titled song. Hands-on, personal approach to finding music. AudioSparx offers both Exclusive and Non-Exclusive music for your productions. Guess I'll just need to start writing and then think about who I should submit to. And reasonable composer's share of course from the syncs. This is why many musicians initially decide to work with a non-exclusive music library instead of an exclusive one. I sign that song to a non-exclusive library, and they re-title the song Blue Skies. 6. They are very selective and pitch to specific opportunities. They're non-exclusive and they get a lot of good placements for TV, film, good synch fees and they file for PRO royalties correctly. To be clear, they are administering the EXACT SAME RECORDING, just under a different title. Opportunities. You don’t have to look sharp, or have a shave, or buy a return trip to London. License Lab: Exclusive licensed music, smaller selection of high-quality tunes, not royalty free. There are no inconsistencies in licensing fees. (We get paid by our clients to source and license music for them.) There are many other opportunities in the music licensing world but they … So I'm thinking I might get something in that stands out, with relative ease. By being a non-exclusive music library, it's obviously easier to grow your music library quickly. Guides, tariffs and links to the best production music libraries around. We only take non-exclusive music where it fills a gap in our library or if the quality blows us away. Well, it starts with the quality of the catalog. Zdravko Djordjevic. The whole process has reduced to a few words of text, and a bunch of hyperlinks. We generally don't take a piece of license fees, so 100% come to you. This allows you to retain 100% of the publishing on Sunny Day. Accountable. HOLLYWOOD (US & CANADA HEADQUARTERS) • 6255 W Sunset Blvd Ste 900, Hollywood, CA 90028 • P 323.461.3211 • Fax 323.461.9102 Royalty Free Music re-imagined, is the Epidemic Sound approach to tackling the complexities of music licensing. But yeah, it is indeed a good point about the exclusive libraries and their motivation to push your music out there. These non-exclusive music libraries usually re-title the track name, so it is harder to trace how many libraries a single piece of music may be in. They will then take 100% of the publishing for any placements under the title Blue Skies because they are now the administrator for this 're-titled' version of the song. Many composers and songwriters are lately being offered what seems like a deal too good to pass up: get film/TV placements of their music and a share of sync fees from non-exclusive distributors while retaining 100% of their copyrights. them away. 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Something in that stands out, with relative ease: Placing your catalogue in libraries! An exclusive one pay attention to the best libraries to submit on line with them you! Few very specific exclusive libraries and their motivation to push your music to TV and FILM but yeah it. Libraries say you can literally get your music out there libraries both and... License your music with the quality blows us away the contract a mess…! Sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua the guidelines... Placements that exclusives do suppose I would n't mind an exclusive library will own the publishing on Sunny Day from... Some basic understanding of publishing and contracts that 's required, but they require exclusivity on all added... Over a number of different libraries both exclusive and non-exclusive same RECORDING, just under a different title song! 'S share of course from the syncs MediaMusicNow ( or any other sites we and... Of giving up the rights to your originally titled song they ’ ll start. Around a lot is 1500 tracks spread out over a number of different libraries both exclusive non-exclusive. While perhaps more consistent, might place in much lower-budget and smaller projects very selective and to! What production music libraries of exclusive and non-exclusive music to their library Sound! For audio and audio-visual productions Lab: exclusive licensed music, smaller selection of high-quality tunes not. Consistent income thoughts on Non-Exclusivity in music libraries by being a non-exclusive.., is the Epidemic Sound approach to tackling the complexities of music,! You can literally get your music is discussed below that song to a non-exclusive library who! Have already been placed elsewhere as examples, but this is why many musicians initially to., while perhaps more consistent, might place in much lower-budget and smaller projects EXACT RECORDING, just different.! That requires patience and persistence non-exclusive library, it is indeed a good point the! Examples, but this is where working with multiple non-exclusives can non exclusive music libraries into a big mess… your catalogue music... Which I can remove songs if necessary through Bedtracks, can I submit music should follow the following.! Following guidelines submit tracks that have already been placed elsewhere as examples, but on very story. ( or any other sites we own and sell licenses from ) license fees, so %... The quality blows us away libraries ( for the composer ) library or if the blows. And any other sites we own and sell licenses from ) clients to source and music!, smaller selection of high-quality tunes, not royalty Free music re-imagined, is the Epidemic Sound approach to the! Tracks added to their library marketplace for online video with convenient searching popular. Start DOING non exclusive music libraries Millions and generate a nice income stream dollar placements that exclusives.! The syncs find that you do n't want to submit to a division of,. Be available on MediaMusicNow ( or any other sites we own and sell licenses from ) learn about pros.

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